The Work of Sam Berger Part II: St. Cecilia

This is the second in my series of posts about the wood carving done by my great-grandfather, Samuel Berger. Sam Berger's work has not been recorded, and this is my attempt to chronicle some of his work in a series of postings. I'm hoping that this will be a helpful resource/reference for my family, as well as anyone interested in California/San Francisco history or wood carving.

This post is a little long (lots of photos), so bear with me as I go through!

Exterior: St. Cecilia Church, San Francisco

My Great-Grandfather, Samuel Berger emigrated to San Francisco in 1904 from Bucharest, Romania, where he learned his trade as a second generation wood carver. I was fortunate enough to have known him; he died in 1970 when I was ten years old. He was the sweetest, most humble man.

Sam's woodcarvings grace some of California's most beautiful public and private buildings. His works can be found in many churches in San Francisco including, Grace Cathedral, Basilica of Mission Dolores, St. Peter and Paul's, Star of the Sea, St. Anne's and St. Brigid's, to name of few. Some of his crowning achievements were at Hearst Castle at San Simeon where he did most of his wood carving. Sam collaborated with the renowned architect, Julia Morgan, on much of his work.

church exterior

Thursday's journey began with a visit to St. Cecilia Catholic Church in San Francisco. My friend Renee and I took the day off, and what a treat it was to see this church in person. It was spectacular! We were greeted by the lovely Mary Scanlan, a longtime staff member, who shared stories with us, such as the altar of the church being a smaller replica of the Basilica of Rome.

St. Cecilia church saw many different locations in San Francisco. The current St. Cecilia, Colonial Spanish in design, is breathtaking in person. Its construction is reinforced concrete and cast-stone trim, with a roof of variegated Spanish tile, random-laid. We were told that much of the church design was influenced by France and Italy.

main church interior

We were introduced to Alvin Martin, Parish Manager, who was so very helpful in showing us around and identifying some of my unidentified old family photos of Sam's work that matched with some of the pieces in the church. Being Jewish, I'm not that familiar with some of the names of the pieces and what they represent or symbolize. Alvin was quite helpful in explaining. The pieces of the puzzle were starting to come together.

It was overwhelming to see and touch the magnificent work that my great-grandfather did. I can't even imagine...all hand carved.

Early photo of Sam Berger next to the crucifix that would later be on the altar at St. Cecilia

Another photo I located of Sam's carving of the Baldacchino (canopy) and crucifix located on the main altar of the church

The magnificent altar. The Baldacchino, crucifix, ceilings and altar railings, all carved by Sam Berger.

These are amazing in person. Such intricate carving.

Sacred Heart of Jesus before being painted

This Sacred Heart of Jesus was in one of my photo albums, among many other random photos of Sam's work. I had no idea that this piece was from St. Cecilia Church.

Sacred Heart of Jesus after completion

Our Blessed Mother before completion

Our Blessed Mother after completion. Isn't she beautiful?

The main altar railings, also carved by Sam Berger

Church pews

notice the detailed carving

The Ambon

He also carved all of the Stations of the Cross

Magnificent confessionals carved by Sam

close-up of confessionals

stained glass windows grace the interior of the church

The Lady's Chapel outside the main chapel - so ornate in person. Sam carved much of the work in the chapel, including the magnificent ceilings...

It's difficult to show just how incredible the carving of these ceilings are in person. It's truly overwhelming.

I can't imagine how many months, years (?) it took my great-grandfather to carve these...

The Baptismal font with Sam's carving on the back wall, and quite possibly on the font itself

Renee and I outside of St. Cecilia

Exterior of St. Cecilia School

There is even an ocean view from the church (can you see it in the background?)


What a glorious day it was at St. Cecilia's. One I'll never forget. Next week we're off to Grace Cathedral to see more of Sam's work. Thanks for joining me on my journey!

St. Cecilia Church
2555 Seventh Avenue
San Francisco, California 94116


photo credits: most photos, Lynn Goldfinger, Ambon & Stations of the Cross: Peg Harrison, black & white photos: family archives

A Gift from Julia Morgan

Telechron 'Globetrotter" World Time Clock 1937-39

Some of you may have read my blog post about my grandmother, "Bannie," recently passing away. Well, I've had the difficult task of going through her belongings, which include my own items that I've stored at her house since childhood. It's been a hard task, but with some unexpected bittersweet findings.

As we were going through her things, my husband stumbled upon this clock. I hadn't remembered seeing it before. It was certainly handsome, with a wonderful Art Deco look. I turned the clock around, and Bannie had written and attached this note (below) on the back. It was given to my great grandfather (her father) from renown architect Julia Morgan. My great grandfather, Sam Berger, a woodcarver from Romania, collaborated with Julia Morgan on Hearst Castle in San Simeon. In fact, he used to spend entire summers working there. I have fond memories of him. He died when I was 10.


Needless to say, I was in awe thinking that this clock, dating to 1937-39, stayed in the family for all of these years. And, a gift from the late, great Julia Morgan. It was wonderful going through certain items and seeing notes that my grandmother had left. It's as if she was talking to us, telling us what everything was, and where or whom they were from.


A real treasure was this carved table and mirror, given to my grandparents as a wedding gift from my great-grandparents. Entirely hand-carved by my great-grandfather, Sam Berger. I have always admired it since childhood.

Berger as a young man (on right) in his workshop in San Francisco

Samuel Berger emigrated to San Francisco in 1904 from Bucharest, Romania, where he learned his trade as a second generation wood carver. I did a post awhile back about some of Sam's woodcarvings for Grace Cathedral in San Francisco.


He carved for California's most beautiful public and private buildings. His works can be found in many churches in San Francisco including, Grace Cathedral, Basilica of Mission Dolores, St. Peter and Paul's, Star of the Sea, St. Cecilia's and St. Brigid's, to name of few.

The table and mirror were one of few items he carved for family and not commercial projects.

This was the first thing you saw when you entered my grandparent's home. Left to me, it's the first thing you see upon entering my house now. When it first arrived I was weeping like a baby. All I could think of is, This shouldn't be here. It's my grandmother's. But, now as I stare at it and touch it, I have fond memories of my grandparents and great-grandparents. Its beautiful detailed carving tells stories of past generations, and I'm honored to have it and will cherish it.

I hope you don't mind me sharing a bit of my family history with you. I miss my grandmother terribly, and hoping that going through these pieces and reading her notes will be comforting.

The Work of Sam Berger Part One: Grace Cathedral

My Great-Grandfather, Samuel Berger emigrated to San Francisco in 1904 from Bucharest, Romania, where he learned his trade as a second generation wood carver. I was fortunate enough to have known him; he died in 1970 when I was ten years old.

Sam's woodcarvings grace some of California's most beautiful public and private buildings. His works can be found in many churches in San Francisco including, Grace Cathedral, Basilica of Mission Dolores, St. Peter and Paul's, Star of the Sea, St. Cecilia's and St. Brigid's, to name of few. Some of his crowning achievements were at Hearst Castle at San Simeon where he did most of his wood carving. Sam collaborated with the renowned architect, Julia Morgan, on much of his work.

Berger as a young man (on right) in his workshop in San Francisco

Sam Berger's work has not been catalogued, and this is my attempt to chronicle some of his work in a series of postings. I stumbled upon some wonderful old family photo albums filled with church interiors and architectural elements. Other than a few living relatives that can identify his work, there are still many photos of carvings that are not labeled. This is going to be my journey to investigate and identify Sam Berger's most beautiful work from a bygone era.

The following are photos of Sam in front of the magnificent organ covers that he carved for Grace Cathedral in San Francisco. Please be sure and click on the photos for super-enlarged detailed shots.

All photos property of Lynn Goldfinger-Abram